tag archives: venini

 

do you believe in coincidence?  or, in connectivity?  such as, six degrees of separation, the theory that social distance is composed of six or fewer social network connections?

 

consider the following connections:

connection number one (numero uno):  a book

entryways of milan (ingressi di milano), an outstanding book about 20th century milanese architecture.  featuring the entrances of 144 residential buildings built during the 1920’s through the 1970’s.

 

entryways of milan (ingressi di milano) | edited and directed by karl kobitz

photo via taschen

 

connection number two (numero due):  two windows

i discovered entryways of milan (ingressi di milano) while researching leaded glass window designs for an innerspace interior design project.

most of the buildings in the book were designed by renowned architects, including giovanni muzio (1893-1982), giuseppe martinenghi (1894-1970), piero portaluppi (1888-1967), or giovanni (gio) ponti (1891-1979).  most of the entrances retain their original materials, fittings, and artwork, designed by the architects.  or, by industrial designers, such as angelo mangiarotti (1921-2012) or vico magistretti (1920-2006).  or, by artists, such as lucio fontana (1899-1968) or gio pomodoro (1930-2002).  most of their designs were fabricated by local artisans using local materials, including glass, stone, mosaics, ceramics, or metal.  and, most of the entrances retain their original lighting fixtures.  lighting designers or manufacturers include artimede, fontana arte, gino sarfatti (1912-1985), stilnovo, or venini.

the book could be considered a reference for 20th century italian design.  not only, because of the visually stunning photography.  but also, because of the captions, which document the location; the date; the architect, designer, or artist; and the materials, fittings, or artworks.  the index even includes a map.

entryways of milan (ingressi di milano) is the most outstanding design book that i have discovered recently.

the book became the inspiration for the window designs.  and, the inspiration for a walking tour of entryways the next time that my husband, bob, and i visit milan.

in addition to considering many inspirations from the book, my clients and i considered the artistic and technical expertise of theodore ellison designs, who is now developing the design concepts and the technical drawings.  and then, constructing the leaded glass windows.

 

via mario giuriati 5 | designed by giovanni muzio | 1930-1931

entryways of milan (ingressi di milano) | edited and directed by karl kobitz | page 10

photography by delfino sisto legnani

 

conceptual leaded glass window design | lisa walsh | innerspace

 

viale regina giovanna 32 | designed by giuseppe martinenghi | 1936-1938

entryways of milan (ingressi di milano) | edited and directed by karl kobitz | pages 48-49

photography by matthew billings

 

conceptual leaded glass window design | lisa walsh | innerspace

 

via raimondo franchetti 3 | designed by domenico poloni | 1937-1939

entryways of milan (ingressi di milano) | edited and directed by karl kobitz | pages 134-135

photography by paola pansini

 

conceptual leaded glass window design | lisa walsh | innerspace

 

connection number three (numero tre):  a handbag

as promoted on instagram.  one of the book’s photographers, delfino sisto legnani, also collaborates with milanese luxury leather brand, valextra.  their latest collaboration is a limited edition collection for valextra x extramilano.  eleven variations of iconic valextra handbags, inspired by entryways of milan (ingressi di milano).

 

corso sempione 33 | palazzo ina | designed by piero bottoni | 1953-1957

entryways of milan (ingressi di milano) | edited and directed by karl kobitz | pages 276-277

photography by delfino sisto legnani via valextra

 

valextra x extramilano | tric trac bag

photo credit valextra

 

via plinio 54

entryways of milan (ingressi di milano) | edited and directed by karl kobitz | page 80

photography by delfino sisto legnani via valextra

 

valextra x extramilano | brera top handle medium bag

photo credit valextra

 

corso italia 9 | designed by gio ponti | 1934

entryways of milan (ingressi di milano) | edited and directed by karl kobitz | page 264

photography by delfino sisto legnani via valextra

 

valextra x extramilano | series s mini bag

photo credit valextra

 

via morozzo della rocco 10 | designed by mario ugge | 1935-1937

entryways of milan (ingressi di milano) | edited and directed by karl kobitz | page 362

photography by delfino sisto legnani

 

valextra x extramilano | iside medium bag

photo credit valextra

 

via privata cesare mangili 6 | ca’ brutta | designed by giovanni muzio, pier fausto barelli, and vittorino colonnese | 1919-1923

entryways of milan (ingressi di milano) | edited and directed by karl kobitz | page 215

photography by delfino sisto legnani

 

valextra x extramilano | iside mini bag

photo credit valextra

 

via amatore sciesa 24

entryways of milan (ingressi di milano) | edited and directed by karl kobitz | page 233

photography by delfino sisto legnani

 

valextra x extramilano | iside medium bag

photo credit valextra

 

valextra is one of my favorite italian brands.  i love shopping with martina at the valextra flagship boutique on via manzoni in milan.  i especially love their white (pergamena) handbags.

i am now looking forward to the arrival of my new entryways of milan (ingressi di milano) inspired iside bag.

of the four case museo di milano (milan house museums), the casa museo boschi di stefano and the villa necchi campiglio are the most exceptional.

the casa museo boschi di stefano has the best salon style art installations that i have ever seen.

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salon style installation of works from the spazialisti (spatialist) and nucleari (nuclear) art movements

casa museo boschi di stefano | milan, italy

photo credit lisa walsh | innerspace

architecture

both the necchi campiglio villa and the boschi di stefano apartment building were designed by architect piero portaluppi (1888-1967) during the 1930’s.

click here to read my previous post about the villa necchi campiglio.

portaluppi designed the apartment building in 1929-1931 for property developer, francesco di stefano.  at the time, di stefano was building a new development of apartment buildings in the neighborhood surrounding corso buenos aires.  as part of the development, di stefano built a five-story apartment building for his family.  the building included a one floor apartment for each of his five children.  his daughter, marieda di stefano (1901-1968), and her husband, antonio boschi (1896-1988), lived in the apartment on the second floor.

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piero portaluppi (1888-1967) | staircase in the di stefano family’s apartment building | via giorgio jan, 15 | milan, italy

photo credit lisa walsh | innerspace

furniture

most of the furniture was purchased by the fondazione boschi di stefano, and is not original to the apartment.  consequently, most of the rooms are no longer furnished according to their original function.  instead, they are furnished with pieces from the same time period as the architecture and the art collection.

the foundation considers the credenza, dining table, and six chairs, designed by italian artist mario sironi (1885-1961) for the 1936 triennale di milano exhibition, as their most important acquisition.  other notable purchases include an art deco desk, bookcase, table, and bar (circa 1930), designed by sicilian architect ernesto basile (1857-1932), and six chairs (circa 1930), designed by portaluppi.

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mario sironi (1885-1961) | credenza, dining table, and six chairs | walnut, bronze, parchment, and ebony | designed for the 1936 triennale di milano exhibition

room 5 | sironi room | originally a study | casa museo boschi di stefano | milan, italy

photo credit lisa walsh | innerspace

lighting

 the light fixtures acquired by the foundation for the apartment include the ‘who’s who’ of the italian glass industry.  most are classic murano glass light fixtures from 1925-1940 by barovier, giacomo cappelin (1887-1968), venini, or napoleone martinuzzi (1892-1977) for venini.  some are more modern, but from the same time period, such as the ceiling light in the sironi room by piero chiesa (1892-1948) for fontana arte.

art collection

boschi and di stefano collected over 2000 works of twentieth century italian art, which they donated to the city of milan in 1974 and 1988.  part of the boschi di stefano collection is on exhibit at the museo del novecento, a contemporary art museum established by the city of milan in 2010.

about 300 works of art from the boschi di stefano collection are chronologically displayed in their apartment, according to art movement.  there are entire rooms filled with works by novecento (1900’s) movement co-founder mario sironi (1885-1961) and spazialisti (spatialist) movement co-founder lucio fontana (1899-1968).

fontana white

fontana grey

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lucio fontana (1899-1968) | concetto spaziale, attese | 1958-1960

lucio fontana (1899-1968) | concetto spaziale, attese | 1958-1960

lucio fontana (1899-1968) | concetto spaziale | 1956

lucio fontana (1899-1968) | concetto spaziale, crocifissione | 1956

photo credits massi_most via instagram, massi_most via instagram, lisa walsh | innerspace, and lisa walsh | innerspace

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salviati | 14 light chandelier | glass | 20th century

piero portaluppi (1888-1967) | six chairs | walnut | 1930

room 9 | fontana room | originally antonio boschi’s study | casa museo boschi di stefano | milan, italy

photo credit lisa walsh | innerspace

the boschi di stefano collection includes works by other well known artists, such as giorgio morandi (1890-1964) and giorgio de chirico (1888-1978).

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giorgio de chirico (1888-1978) | la scuola dei gladiatori: il combattimento | 1928

giorgio de chirico (1888-1978) | facitori di trofei | 1925-1928

photo credits sauvage27.blogspot.com via arte.it and lisa walsh | innerspace

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napoleone martinuzzi (1892-1977) for venini | 11 light chandelier | pagliesco (mercury) glass | 1925-1930

barovier | pair of floor lamps | pulegoso (bubbled) glass | 1935-1940

modern suite of upholstered furniture based on a design by piero portaluppi (1888-1967)

room 7 | paris school room | originally the living room | casa museo boschi di stefano | milan, italy

photo credit lisa walsh | innerspace

plus, works from the gruppo di corrente (current group), the scuola di parigi (paris school), and the chiaristi (clear), nucleari (nuclear), and informale (informal) art movements.

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salon style installation of works from the spazialisti (spatialist) and nucleari (nuclear) art movements

giacomo cappelin (1887-1968) | six light chandelier | glass | 1925-1930

room 10 | spatialist and nuclear room | originally marieda di stefano’s studio | casa museo boschi di stefano | milan, italy

photo credits lisa walsh | innerspace

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salon style installation of works from the informale (informal) art movement

gino levi montalcini (1902-1974) | table | oak with ceramic top | 1950

room 11 | informal room | originally the master bedroom | casa museo boschi di stefano | milan, italy

photo credits lisa walsh | innerspace

aren’t the salon style art walls exceptional?