tag archives: art

 

last year, umbrellas (ombrelli).

september 2017

via mazzini and via garibaldi | pietrasanta, italy

photo credit lisa walsh | innerspace

 

this year, butterflies (farfalle).

september 2018

via mazzini and via garibaldi | pietrasanta, italy

viale versilia | marina di pietrasanta, italy

photo credit lisa walsh | innerspace

 

or actually, mariposas.  after a sculpture by spanish artist, manolo valdés.  from manolo valdés: poetica della traduzione (the poetics of intrepretation), the annual summer art exhibition sponsored by the comune di pietrasanta (town of pietrasanta) from 16 june-4 november 2018.

manolo valdés | mariposas | aluminum | 2015

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pietrasanta, italy | 16 june-4 november 2018

photo credits lisa walsh | innerspace

 

valdés’ works are contemporary interpretations of classic works with art historical importance, by masters such as velázquez (1599-1660), rembrandt (1606-1669), or matisse (1869-1954).

henri matisse (1869-1954) | femme au chapeau (woman with a hat) | 1905 | san francisco musuem of modern art (sfmoma) | san francisco, ca

photo credit sfmoma

manolo valdés | retrato (portrait) | oil on burlap | 2017 | opera gallery | dubai, united arab emirates

photo credit opera gallery

manolo valdés | pamela | aluminum | 2015

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pontile di tonfano (tonfano pier) | marina di pietrasanta, italy | 16 june-4 november 2018

photo credit contini galleria d’arte via facebook

foreground: manolo valdés | irene | bronze | 2006

background: manolo valdés | caballero | bronze | 2005

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pietrasanta, italy | 16 june-4 november 2018

photo credit lisa walsh | innerspace

manolo valdés | double imogen | marble and steel | 2016

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pietrasanta, italy | 16 june-4 november 2018

photo credit lisa walsh | innerspace

manolo valdés | clio dorada | brass and steel | 2017

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pietrasanta, italy | 16 june-4 november 2018

photo credit lisa walsh | innerspace

manolo valdés | regina II | bronze | 2005

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pietrasanta, italy | 16 june-4 november 2018

photo credit lisa walsh | innerspace

piazza del duomo | pietrasanta, italy

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pietrasanta, italy | 16 june-4 november 2018

photo credit lisa walsh | innerspace

 

click here to read my previous post about the pietrasanta contemporary sculpture park.

 

the most significant collection of works by richard diebenkorn (1922-1993) ever sold at auction.

 

masterpieces by richard diebenkorn

property sold to benefit the donald and barbara zucker family foundation

christie’s | new york | post-war & contemporary art evening sale & morning session | 17-18 may 2018

 

a career spanning collection of 22 paintings and works on paper.

the home of donald and barbara zucker

photo credit (c) richard diebenkorn foundation via christie’s 17 may 2018 post-war and contemporary art evening sale catalogue, p. 156

 

ocean park | paintings and works on paper

healdsburg, CA (1988-1993)

santa monica, CA  (1966-1987)

sold for US$23,937,500

the world record auction price for a painting by richard diebenkorn (1922-1993)

richard diebenkorn (1922-1993) | ocean park #126 | oil on canvas | 1984

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 26b

photo credit lisa walsh | innerspace

sold for US$3,972,500

the world record auction price for a work on paper by richard diebenkorn (1922-1993)

richard diebenkorn (1922-1993) | untitled | acrylic, crayon, graphite and pasted paper on joined paper | 1991

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 28b

photo credit lisa walsh | innerspace

sold for US$3,852,500

richard diebenkorn (1922-1993) | untitled | gouache, acrylic and crayon on paper | 1984

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 23b

photo credit lisa walsh | innerspace

sold for US$1,092,500

richard diebenkorn (1922-1993) | untitled | gouache, charcoal and pasted paper on joined paper | 1986

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 31b

photo credit lisa walsh | innerspace

sold for US$696,500

richard diebenkorn (1922-1993) | untitled | gouache, wax crayon and graphite on paper | 1985-1987

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 619

photo credit lisa walsh | innerspace

sold for US$588,500

richard diebenkorn (1922-1993) | untitled | gouache, acrylic, charcoal, graphite and pastel on paper | 1984-1992

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 624

photo credit lisa walsh | innerspace

sold for US$432,500

richard diebenkorn (1922-1993) | untitled | acrylic and charcoal on two joined sheets of paper | 1973

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 626

photo credit lisa walsh | innerspace

sold for US$372,500

richard diebenkorn (1922-1993) | untitled | acrylic, gouache and charcoal on paper | 1981

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 625

photo credit lisa walsh | innerspace

sold for US$336,500

richard diebenkorn (1922-1993) | untitled | watercolor, wax crayon and graphite on paper | 1988-1992

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 619

photo credit lisa walsh | innerspace

 

also sold at sotheby’s:

property from an important new york collection

sold for US$10,953,500

richard diebenkorn (1922 – 1993) | ocean park #55 | oil and charcoal on canvas | 1972

sotheby’s | new york | contemporary art evening auction | 16 may 2018 | sale n09858 | lot 18
photo credit lisa walsh | innerspace

 

representational | paintings and works on paper

landscapes | still lifes | figures

berkeley, CA (1955-1966)

sold for US$5,262,500

richard diebenkorn (1922-1993) | cityscape #3 | oil on canvas | 1963

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 30b

photo credit lisa walsh | innerspace

sold for US$852,500

richard diebenkorn (1922-1993) | table and folding chair | oil on canvas | 1962

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 27b

photo credit lisa walsh | innerspace

sold for US$106,250

richard diebenkorn (1922-1993) | untitled | ink, graphite and charcoal on paper | 1964

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 627

photo credit lisa walsh | innerspace

sold for US$1,152,500

richard diebenkorn (1922-1993) | nude—elbow on knee | oil on canvas | 1961

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 24b

photo credit lisa walsh | innerspace

sold for US$432,500

richard diebenkorn (1922-1993) | untitled | oil on canvas | circa 1957-1962

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 29b

photo credit lisa walsh | innerspace

sold for US$250,000

richard diebenkorn (1922-1993) | portrait of n.s. | oil on canvas | 1957

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 621

photo credit lisa walsh | innerspace

sold for US$87,500

richard diebenkorn (1922-1993) | untitled | watercolor and gouache on paper | 1961

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 622

photo credit lisa walsh | innerspace

sold for US$137.500

richard diebenkorn (1922-1993) | untitled | ink and charcoal on paper | 1967

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 623

photo credit lisa walsh | innerspace

 

also sold at christie’s:

property of late owners

sold for US$4,692,500

richard diebenkorn (1922-1993) | untitled | oil on canvas | circa 1963-1964

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 41b
photo credit lisa walsh | innerspace

property from a distinguished new york collector

sold for US$100,000

richard diebenkorn (1922-1993) | untitled | ink and conté crayon on paper | 1962

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 704
photo credit lisa walsh | innerspace

 

abstract expressionist | paintings and works on paper

berkeley, CA (1953-1955)

urbana, IL (1952-1953)

albuquerque, NM (1950-1952)

sausalito, CA (1947-1949)

sold for US$1,032,500

richard diebenkorn (1922-1993) | berkeley #25 | oil on canvas | 1954

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 25b

photo credit lisa walsh | innerspace

sold for US$20,000

richard diebenkorn (1922-1993) | untitled (berkeley) | ink and gouache on paper | 1955

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 628

photo credit lisa walsh | innerspace

sold for US$552,500

richard diebenkorn (1922-1993) | sausalito | oil on canvas | 1949

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 32b

photo credit lisa walsh | innerspace

 

have you ever dreamt of living with a US$46,000,000 salon-style art installation?

the home of donald and barbara zucker

photo credit (c) richard diebenkorn foundation via christie’s 17 may 2018 post-war and contemporary art evening sale catalogue, p. 157

 

sold for US$432,500

richard diebenkorn (1922-1993) | untitled | gouache on paper | circa 1953-1955

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 21b

photo credit lisa walsh | innerspace

sold for US$468,500

richard diebenkorn (1922-1993) | untitled | gouache and charcoal on paper | circa 1957-1966

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 22b

photo credit lisa walsh | innerspace

 

david hockney: something new in painting (and photography) [and even printing]

5 april-12 may 2018

pace gallery | 508-510 west 25th street | new york, NY

 

british artist, david hockney RA, is known for playing with perspective.  recently, reverse perspective.  and recently, manipulating the picture plane by adding corners.  hockney thinks that reverse perspective simulates our depth perception more closely than one point perspective.  and, that a hexagon simulates our field of vision more closely than a rectangle.

 

‘the indentations paradoxically widen the sense of space and invite all sorts of fresh lines of sight.

still, though, as you can see, far from cutting corners, i was adding them.’

-david hockney

 

detail | david hockney | the studio, december 2017 | 2017 | photographic drawing printed on seven sheets of paper, mounted on seven sheets of dibond

artwork: (c) 2018 david hockney photo credit: lisa walsh | innerspace

 

the subject of some of the hexagonal paintings are ‘david hockney’s greatest hits’.  the grand canyonnichols canyon, which was once en route from his home to his studio in los angeles, CA.  garrowby hill and the countryside surrounding his former home in yorkshire, united kingdom.

david hockney | grand canyon II | 2017 | acrylic on canvas

artwork: (c) 2018 david hockney photo credits: lisa walsh | innerspace

 

david hockney | nichols canyon II | 2017 | acrylic and black ink on canvas

artwork: (c) 2018 david hockney photo credits: lisa walsh | innerspace

 

david hockney | garrowby hill | 2017 | acrylic on canvas

artwork: (c) 2018 david hockney photo credits: lisa walsh | innerspace

 

masterpieces, such as the avenue at middelharnis (1689), a dutch golden age landscape painting by meindert hobbema, or the annunciation (1438-1445), an early renaissance fresco by fra angelico, provide the subjects for other paintings.

david hockney | tall dutch trees after hobbema (useful knowledge) | 2017 | acrylic on six canvases

artwork: (c) 2018 david hockney photo credits: lisa walsh | innerspace

 

hockney is also known for experimenting with optical technology.  most recently, agisoft photoscan software that performs photogrammetric processing of digital images and generates three dimensional spatial data.

in addition to 17 paintings, the pace gallery exhibition features two, seven panel, floor to ceiling photomurals created with agisoft photoscan.  for each photomural, the software combined over 3000 photographs, shot from multiple camera angles, and processed them into one three dimensional image.  then, hockney and his assistant manipulated the image.  and then, they digitally printed and mounted the photomural.

david hockney | the studio, december 2017 | 2017 | photographic drawing printed on seven sheets of paper, mounted on seven sheets of dibond

artwork: (c) 2018 david hockney photo credits: lisa walsh | innerspace

 

david hockney | inside it opens up as well | 2018 | photographic drawing printed on 7 sheets of paper, mounted on 7 sheets of dibond

artwork: (c) 2018 david hockney photo credits: lisa walsh | innerspace

 

‘i haven’t yet quite figured out what to call the whole process, or for that matter its result.

it’s a combination of photography and drawing and printing, each bringing out the best in the other.’

-david hockney

 

you could call the whole process a success.  especially, considering that hockney originally only intended to take documentary photographs to use in the exhibition announcement before the paintings left his studio.

invitation to the opening reception | 5 april 2018

photo credit via new york social diary

 

click here, here, and here to read my previous posts about david hockney.

click here to read the essay, written by lawrence weschler for the exhibition catalogue.

 

*cy twombly: coronation of sesostris

8 march-28 april 2018

gagosian | 980 madison avenue | new york, NY

 

the mythological one day rise and fall of ancient egyptian warrior, conqueror, and pharaoh , sesostris.

drawn, painted, and written in 10 parts.

cy twombly: coronation of sesostris

installation view | gagosian | 980 madison avenue | new york, NY

photo credit rob mckeever via gagosian

 

the rising sun [an ideogram for sesostris]

 

cy twombly (1928-2011) | coronation of sesostris | panel 1 | 2000 | acrylic, crayon, and pencil on canvas

collection of françois pinault | palazzo grassi | venice, italy

photo credit (c) cy twombly foundation via tate

 

the wheeled chariot of sesotris [an ideogram for military conquest]

 

cy twombly (1928-2011) | coronation of sesostris | panel 2 | 2000 | acrylic, crayon, and pencil on canvas

collection of françois pinault | palazzo grassi | venice, italy

photo credit (c) cy twombly foundation via tate

 

the epigraph:

‘eros, weaver [of myth],

eros, sweet and bitter,

eros bringer of pain.’ 

 

cy twombly (1928-2011) | coronation of sesostris | panel 3 | 2000 | acrylic, crayon, and pencil on canvas

collection of françois pinault | palazzo grassi | venice, italy

photo credit (c) cy twombly foundation via tate

 

the shining sun after rising high into the sky

 

cy twombly (1928-2011)  | coronation of sesostris | panel 4 | 2000 | acrylic, crayon, and pencil on canvas

collection of françois pinault | palazzo grassi | venice, italy

photo credit (c) cy twombly foundation via tate

 

the arrival of the solar barque [sun barge or sun boat] of sesostris

 

cy twombly (1928-2011) | coronation of sesostris | panel 5 | 2000 | acrylic, crayon, and pencil on canvas

collection of françois pinault | palazzo grassi | venice, italy

photo credit (c) cy twombly foundation via tate

 

an interpretation of the poem ‘when the gods depart’

 

cy twombly (1928-2011) | coronation of sesostris | panel 6 | 2000 | acrylic, crayon, and pencil on canvas

collection of françois pinault | palazzo grassi | venice, italy

photo credit (c) cy twombly foundation via tate

 

the sun boat burns and disintegrates

 

cy twombly (1928-2011) | coronation of sesostris | panel 7 | 2000 | acrylic, crayon, and pencil on canvas

collection of françois pinault | palazzo grassi | venice, italy

photo credit (c) cy twombly foundation via tate

 

the sun boat dissolves into its reflection, and sinks into the sea [an allusion to j.w.m. turner (1775-1851)]

‘they (the gods) are leaving,

glorious but unheeded,

as the mortal body sinks into oblivion,

scarcely registering their passing. 

nunc est bibendum: 

sorrows are drowned,

the boat is a drunken boat.’ [barely legible]

 

cy twombly (1928-2011)  | coronation of sesostris | panel 8 | 2000 | acrylic, crayon, and pencil on canvas

collection of françois pinault | palazzo grassi | venice, italy

photo credit (c) cy twombly foundation via tate

 

the burnt wreckage of the sun boat

‘leaving paphos ringed with waves’

 

cy twombly (1928-2011) | coronation of sesostris | panel 9 | 2000 | Acrylic, crayon, and pencil on canvas

collection of françois pinault | palazzo grassi | venice, italy

photo credit (c) cy twombly foundation via tate

 

the epigraph, repeated:

‘leaving kypros the lovely

and paphos ringed with waves.’ [illegible]

 ‘eros, weaver of myth,

eros sweet and bitter,

eros bringer of pain.’

 

cy twombly (1928-2011) | coronation of sesostris | panel 10 | 2000 | acrylic, crayon, and pencil on canvas

collection of françois pinault | palazzo grassi | venice, italy

photo credit (c) cy twombly foundation via tate

 

*exhibited concurrently with cy twombly: in beauty it is finished at gagosian | 522 west 21st street | new york, NY.

click here to read my post about cy twombly: in beauty it is finished.

click here to read a tate museum research publication about coronation of sesostris.

art exhibitions, like the cy twombly exhibition of 94 drawings and works on paper at gagosian gallery in new york, can be more momentous than blockbuster museum exhibitions.

 

*cy twombly:  in beauty it is finished : drawings 1951-2008

8 march-25 april 2018

gagosian | 522 west 21st street | new york, NY


i walked through the exhibition three times.  and then, after i left, i decided to return to look at my favorite drawings again…

one wall, featuring five early, atypically polychromatic, crayon, gouache, and pencil drawings.

cy twombly: in beauty it is finished : drawings 1951-2008

installation view | gagosian | 522 west 21st street | new york, NY

photo credit artwork: © cy twombly foundation | screenshot: video by pushpin films via gagosian quarterly

 

originally, there were six drawings.  twombly gifted four of the six drawings to his friend, abstract artist robert rauschenberg (1925-2008).  then, rauschenberg adhered one of the drawings to one of his combines.

robert rauschenberg (1925-2008) | rhebus | 1955 | oil, synthetic polymer paint, pencil, crayon, pastel, cut-and-pasted printed and painted papers, and fabric on canvas mounted and stapled to fabric, in three panels

museum of modern art (moma) | new york, NY

photo credit (c) 2018 robert rauschenberg foundation via moma

 

cy twombly (1928-2011) | untitled | 1954 | gouache, wax crayon, and colored pencil on paper

cy twombly foundation | new york, NY, rome, italy & gaeta, italy

photo credit (c) cy twombly foundation via gagosian

 

cy twombly (1928-2011) | untitled | 1954 | gouache, wax crayon, and colored pencil on paper

cy twombly foundation | new york, NY, rome, italy & gaeta, italy

photo credit (c) cy twombly foundation via cy twombly foundation

 

cy twombly (1928-2011) | untitled | 1954 | gouache, wax crayon, and colored pencil on paper

museum of modern art (moma) | new york, NY

photo credit (c) 2018 cy twombly foundation via moma

 

cy twombly (1928-2011) | untitled | 1954 | gouache, wax crayon, and colored pencil on paper

museum of modern art (moma) | new york, NY

photo credit (c) 2018 cy twombly foundation via moma

 

cy twombly (1928-2011) | untitled | 1954 | gouache, wax crayon, and colored pencil on paper

museum of modern art (moma) | new york, NY

photo credit (c) 2018 cy twombly foundation via moma

 

the five drawings reminded me of pastel drawings by abstract expressionist artist joan mitchell (1925-1992).

joan mitchell (1925-1992) | untitled | 1991 | pastel on paper

sold for US$98,500 | christie’s new york | post war and contemporary morning session | 11 november 2010 | sale 2356 | lot 235

photo credit christie’s

 

one gallery was filled with calligraphy drawings.  not only calligraphic, but also epigraphic.

cy twombly: in beauty it is finished : drawings 1951-2008

installation view | gagosian | 522 west 21st street | new york, NY

photo credit rob mckeever via gagosian

 

including, one work in 30 parts.  and, 4 drawings from a private collection.

cy twombly (1928-2011) | untitled | 1970 | oil, wax crayon, and pencil on paper, in 30 parts

cy twombly foundation | new york, NY, rome, italy & gaeta, italy

photo credit artwork: © cy twombly foundation | screenshot: video by pushpin films via gagosian quarterly

 

cy twombly (1928-2011) | untitled | 1970 | oil and wax crayon on paper

private collection

photo credit (c) cy twombly foundation via gagosian

 

another gallery was filled with blackboard drawings.

cy twombly: in beauty it is finished : drawings 1951-2008

installation view | gagosian | 522 west 21st street | new york, NY

photo credit rob mckeever via gagosian

 

layer upon layer of lines, marks, and erasures.  made with crayon, pencil, or pen over oil on paper.

cy twombly (1928-2011) | untitled | 1969 | oil and wax crayon on paper

cy twombly foundation | new york, NY, rome, italy & gaeta, italy

photo credit (c) cy twombly foundation via gagosian

 

‘his work is based not upon concept (the trace)

but rather upon an activity (tracing).’

-french philoopher, roland barthes (1915-1980), who wrote about the work of cy twombly

 

*exhibited concurrently with cy twombly: coronation of sesostris at gagosian | 980 madison avenue | new york, NY.

click here to read my post about cy twombly: coronation of sesostris.