tag archives: art exhibit

 

more highlights from our art filled pre-holiday day trip to los angeles…

2 (of 3) exhibitions by chinese artist and human rights activist, ai weiwei.

 

ai weiwei: zodiac

29 september 2018-5 january 2019

jeffrey dietch gallery | los angeles, ca

 

installation view

ai weiwei | stools | 5929 wooden stools from the ming (1368-1644) and qing (1644-1911) dynasties | 2013

photo credits lisa walsh | innerspace

 

ai weiwei life cycle

28 september 2018-3 march 2018

marciano art foundation (maf) | los angeles, ca

 

installation view

ai weiwei | sunflower seeds | 49 tons of porcelain sunflower seeds | 2010

ai weiwei | spouts | thousands of teapot spouts dating as far back as the song dynasty (960-1279) | 2015

photo credits lisa walsh | innerspace

 

closed:

cao/humanity

4 october-1 december 2018

united talent agency (uta) artist space | beverly hills, ca

 

installation view

photo credit uta artist space via artsy

 

more highlights from our art (and design) filled pre-holiday day trip to los angeles…

an installation by british artist and writer, edmund de waal, at the schindler house.  one of the world’s first modern houses.  and, an architectural landmark.

 

edmund de waal: –one way or other-

16 september 2018-6 january 2019

mak center for art and architecture at the schindler house | west hollywood, ca

 

rudolf michael schindler (1887-1953) | the schindler house | 1921-1922

photo credit lisa walsh | innerspace

 

edmund de waal | case study #1 | 15 porcelain vessels and 4 cor-ten steel blocks in steel and plexiglass vitrine | 2015

photo credits lisa walsh | innerspace

 

edmund de waal | a new ground I | 14 porcelain vessels and cor-ten steel blocks in 5 steel, corian and plexiglass vitrines | 2015

edmund de waal | a new ground III | 14 porcelain vessels and cor-ten steel blocks in 5 steel, corian, and plexiglass vitrines | 2015

photo credits lisa walsh | innerspace

 

edmund de waal | #835 | 18 porcelain vessels in 2 steel and plexiglass vitrines | 2015

photo credits edmund de waal and lisa walsh | innerspace

 

the highlight of our art filled pre-holiday day trip to los angeles…

photo credits lisa walsh | innerspace

 

calder: nonspace

27 october 2018-6 january 2019

hauser & wirth | los angeles, ca

organized in collaboration with the calder foundation | new york, ny

 

alexander calder (1898-1976) | 3 segments | 1973

photo credit lisa walsh | innerspace

 

alexander calder (1898-1976) | untitled | 1955

photo credit lisa walsh | innerspace

 

installation view

alexander calder (1898-1976) | untitled | 1941

alexander calder (1898-1976) | 4 planes in space | 1955 | calder foundation, new york, NY

alexander calder (1898-1976) | 4 planes in space (maquette) | 1955

photo credits lisa walsh | innerspace

 

alexander calder (1898-1976) | black petals | 1939

photo credit lisa walsh | innerspace

 

installation view

alexander calder (1898-1976) | untitled | 1939

alexander calder (1898-1976) | title & date unknown

photo credits lisa walsh | innerspace

 

alexander calder (1898-1976) | haverford variation | 1944

photo credit lisa walsh | innerspace

 

last year, umbrellas (ombrelli).

september 2017

via mazzini and via garibaldi | pietrasanta, italy

photo credit lisa walsh | innerspace

 

this year, butterflies (farfalle).

september 2018

via mazzini and via garibaldi | pietrasanta, italy

viale versilia | marina di pietrasanta, italy

photo credit lisa walsh | innerspace

 

or actually, mariposas.  after a sculpture by spanish artist, manolo valdés.  from manolo valdés: poetica della traduzione (the poetics of intrepretation), the annual summer art exhibition sponsored by the comune di pietrasanta (town of pietrasanta) from 16 june-4 november 2018.

manolo valdés | mariposas | aluminum | 2015

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pietrasanta, italy | 16 june-4 november 2018

photo credits lisa walsh | innerspace

 

valdés’ works are contemporary interpretations of classic works with art historical importance, by masters such as velázquez (1599-1660), rembrandt (1606-1669), or matisse (1869-1954).

henri matisse (1869-1954) | femme au chapeau (woman with a hat) | 1905 | san francisco musuem of modern art (sfmoma) | san francisco, ca

photo credit sfmoma

manolo valdés | retrato (portrait) | oil on burlap | 2017 | opera gallery | dubai, united arab emirates

photo credit opera gallery

manolo valdés | pamela | aluminum | 2015

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pontile di tonfano (tonfano pier) | marina di pietrasanta, italy | 16 june-4 november 2018

photo credit contini galleria d’arte via facebook

foreground: manolo valdés | irene | bronze | 2006

background: manolo valdés | caballero | bronze | 2005

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pietrasanta, italy | 16 june-4 november 2018

photo credit lisa walsh | innerspace

manolo valdés | double imogen | marble and steel | 2016

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pietrasanta, italy | 16 june-4 november 2018

photo credit lisa walsh | innerspace

manolo valdés | clio dorada | brass and steel | 2017

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pietrasanta, italy | 16 june-4 november 2018

photo credit lisa walsh | innerspace

manolo valdés | regina II | bronze | 2005

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pietrasanta, italy | 16 june-4 november 2018

photo credit lisa walsh | innerspace

piazza del duomo | pietrasanta, italy

manolo valdés: poetica della traduzione (the poetics of intrepretation) | pietrasanta, italy | 16 june-4 november 2018

photo credit lisa walsh | innerspace

 

click here to read my previous post about the pietrasanta contemporary sculpture park.

 

david hockney: something new in painting (and photography) [and even printing]

5 april-12 may 2018

pace gallery | 508-510 west 25th street | new york, NY

 

british artist, david hockney RA, is known for playing with perspective.  recently, reverse perspective.  and recently, manipulating the picture plane by adding corners.  hockney thinks that reverse perspective simulates our depth perception more closely than one point perspective.  and, that a hexagon simulates our field of vision more closely than a rectangle.

 

‘the indentations paradoxically widen the sense of space and invite all sorts of fresh lines of sight.

still, though, as you can see, far from cutting corners, i was adding them.’

-david hockney

 

detail | david hockney | the studio, december 2017 | 2017 | photographic drawing printed on seven sheets of paper, mounted on seven sheets of dibond

artwork: (c) 2018 david hockney photo credit: lisa walsh | innerspace

 

the subject of some of the hexagonal paintings are ‘david hockney’s greatest hits’.  the grand canyonnichols canyon, which was once en route from his home to his studio in los angeles, CA.  garrowby hill and the countryside surrounding his former home in yorkshire, united kingdom.

david hockney | grand canyon II | 2017 | acrylic on canvas

artwork: (c) 2018 david hockney photo credits: lisa walsh | innerspace

 

david hockney | nichols canyon II | 2017 | acrylic and black ink on canvas

artwork: (c) 2018 david hockney photo credits: lisa walsh | innerspace

 

david hockney | garrowby hill | 2017 | acrylic on canvas

artwork: (c) 2018 david hockney photo credits: lisa walsh | innerspace

 

masterpieces, such as the avenue at middelharnis (1689), a dutch golden age landscape painting by meindert hobbema, or the annunciation (1438-1445), an early renaissance fresco by fra angelico, provide the subjects for other paintings.

david hockney | tall dutch trees after hobbema (useful knowledge) | 2017 | acrylic on six canvases

artwork: (c) 2018 david hockney photo credits: lisa walsh | innerspace

 

hockney is also known for experimenting with optical technology.  most recently, agisoft photoscan software that performs photogrammetric processing of digital images and generates three dimensional spatial data.

in addition to 17 paintings, the pace gallery exhibition features two, seven panel, floor to ceiling photomurals created with agisoft photoscan.  for each photomural, the software combined over 3000 photographs, shot from multiple camera angles, and processed them into one three dimensional image.  then, hockney and his assistant manipulated the image.  and then, they digitally printed and mounted the photomural.

david hockney | the studio, december 2017 | 2017 | photographic drawing printed on seven sheets of paper, mounted on seven sheets of dibond

artwork: (c) 2018 david hockney photo credits: lisa walsh | innerspace

 

david hockney | inside it opens up as well | 2018 | photographic drawing printed on 7 sheets of paper, mounted on 7 sheets of dibond

artwork: (c) 2018 david hockney photo credits: lisa walsh | innerspace

 

‘i haven’t yet quite figured out what to call the whole process, or for that matter its result.

it’s a combination of photography and drawing and printing, each bringing out the best in the other.’

-david hockney

 

you could call the whole process a success.  especially, considering that hockney originally only intended to take documentary photographs to use in the exhibition announcement before the paintings left his studio.

invitation to the opening reception | 5 april 2018

photo credit via new york social diary

 

click here, here, and here to read my previous posts about david hockney.

click here to read the essay, written by lawrence weschler for the exhibition catalogue.