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art exhibitions, like the cy twombly exhibition of 94 drawings and works on paper at gagosian gallery in new york, can be more momentous than blockbuster museum exhibitions.

 

*cy twombly:  in beauty it is finished : drawings 1951-2008

8 march-25 april 2018

gagosian | 522 west 21st street | new york, NY


i walked through the exhibition three times.  and then, after i left, i decided to return to look at my favorite drawings again…

one wall, featuring five early, atypically polychromatic, crayon, gouache, and pencil drawings.

cy twombly: in beauty it is finished : drawings 1951-2008

installation view | gagosian | 522 west 21st street | new york, NY

photo credit artwork: © cy twombly foundation | screenshot: video by pushpin films via gagosian quarterly

 

originally, there were six drawings.  twombly gifted four of the six drawings to his friend, abstract artist robert rauschenberg (1925-2008).  then, rauschenberg adhered one of the drawings to one of his combines.

robert rauschenberg (1925-2008) | rhebus | 1955 | oil, synthetic polymer paint, pencil, crayon, pastel, cut-and-pasted printed and painted papers, and fabric on canvas mounted and stapled to fabric, in three panels

museum of modern art (moma) | new york, NY

photo credit (c) 2018 robert rauschenberg foundation via moma

 

cy twombly (1928-2011) | untitled | 1954 | gouache, wax crayon, and colored pencil on paper

cy twombly foundation | new york, NY, rome, italy & gaeta, italy

photo credit (c) cy twombly foundation via gagosian

 

cy twombly (1928-2011) | untitled | 1954 | gouache, wax crayon, and colored pencil on paper

cy twombly foundation | new york, NY, rome, italy & gaeta, italy

photo credit (c) cy twombly foundation via cy twombly foundation

 

cy twombly (1928-2011) | untitled | 1954 | gouache, wax crayon, and colored pencil on paper

museum of modern art (moma) | new york, NY

photo credit (c) 2018 cy twombly foundation via moma

 

cy twombly (1928-2011) | untitled | 1954 | gouache, wax crayon, and colored pencil on paper

museum of modern art (moma) | new york, NY

photo credit (c) 2018 cy twombly foundation via moma

 

cy twombly (1928-2011) | untitled | 1954 | gouache, wax crayon, and colored pencil on paper

museum of modern art (moma) | new york, NY

photo credit (c) 2018 cy twombly foundation via moma

 

the five drawings reminded me of pastel drawings by abstract expressionist artist joan mitchell (1925-1992).

joan mitchell (1925-1992) | untitled | 1991 | pastel on paper

sold for US$98,500 | christie’s new york | post war and contemporary morning session | 11 november 2010 | sale 2356 | lot 235

photo credit christie’s

 

one gallery was filled with calligraphy drawings.  not only calligraphic, but also epigraphic.

cy twombly: in beauty it is finished : drawings 1951-2008

installation view | gagosian | 522 west 21st street | new york, NY

photo credit rob mckeever via gagosian

 

including, one work in 30 parts.  and, 4 drawings from a private collection.

cy twombly (1928-2011) | untitled | 1970 | oil, wax crayon, and pencil on paper, in 30 parts

cy twombly foundation | new york, NY, rome, italy & gaeta, italy

photo credit artwork: © cy twombly foundation | screenshot: video by pushpin films via gagosian quarterly

 

cy twombly (1928-2011) | untitled | 1970 | oil and wax crayon on paper

private collection

photo credit (c) cy twombly foundation via gagosian

 

another gallery was filled with blackboard drawings.

cy twombly: in beauty it is finished : drawings 1951-2008

installation view | gagosian | 522 west 21st street | new york, NY

photo credit rob mckeever via gagosian

 

layer upon layer of lines, marks, and erasures.  made with crayon, pencil, or pen over oil on paper.

cy twombly (1928-2011) | untitled | 1969 | oil and wax crayon on paper

cy twombly foundation | new york, NY, rome, italy & gaeta, italy

photo credit (c) cy twombly foundation via gagosian

 

‘his work is based not upon concept (the trace)

but rather upon an activity (tracing).’

-french philoopher, roland barthes (1915-1980), who wrote about the work of cy twombly

 

*exhibited concurrently with cy twombly: coronation of sesostris at gagosian | 980 madison avenue | new york, NY.

click here to read my post about cy twombly: coronation of sesostris.

 

elliott pukette: new work

19 april-9 june 2018

paul kasmin gallery | 297 10th avenue | new york, NY

 

elliott pukette: new work

installation view | paul kasmin gallery | 297 10th avenue | new york, NY

photo credit lisa walsh | innerspace

 

part painting, part drawing, part writing.

part gesture, part construction, part process.

elliott pukette | a love letter | gesso, kaolin, and ink on dibond | 2018

photo credits lisa walsh | innerspace

 

elliott pukette | wallum | gesso, kaolin, and ink on board | 2018

photo credits lisa walsh | innerspace

 

elliott pukette | torusflex | gesso, kaolin, and ink on board | 2018

photo credits lisa walsh | innerspace

 

transfers, doodles, sgraffito, erasures.

all over patterns.

background washes.

influenced by paul klee (1879-1940).

 

i wonder if cy twombly (1928-2011) also influenced elliott pukette?

manuel neri:  assertion of the figure

anderson collection at stanford university | palo alto, CA

14 september 2017-12 february 2018

an art exhibition that includes eleven sculptures, reliefs, and works on paper by (san francisco) bay area figurative sculptor manuel neri.  recently gifted to the anderson collection (art museum) at stanford university by the manuel neri trust.

top to bottom:

manuel neri | standing figure I | pigment on plaster | 1974 | courtesy of hackett | mill and the manuel neri trust, san francisco, CA

manuel neri | standing figure II | pigment on plaster | 1982

 

isn’t the juxtaposition of the manuel neri sculptures with figurative, abstract, and abstract expressionist paintings by richard deibenkorn (another member of the bay area figurative art movement) and joan mitchell outstanding?

top (left to right):

richard deibenkorn (1922-1993) | girl on the beach | oil on canvas | 1957

manuel neri | untitled female figure | plaster and pigment | 1958 | courtesy of hackett | mill and the manuel neri trust, san francisco, CA

manuel neri | untitled male figure | plaster and pigment | 1958 | courtesy of hackett | mill and the manuel neri trust, san francisco, CA

richard deibenkorn (1922-1993) | ocean park #60 | oil on canvas | 1973

bottom (left to right):

joan mitchell | before, again IV | oil on canvas | 1985

manuel neri | untitled female figure | plaster and pigment | 1958 | courtesy of hackett | mill and the manuel neri trust, san francisco, CA

manuel neri | untitled male figure | plaster and pigment | 1958 | courtesy of hackett | mill and the manuel neri trust, san francisco, CA

photo credits lisa walsh | innerspace

 

during the exhibition, seven additional sculptures by manuel neri, which are on temporary loan to the anderson collection from hackett | mill art gallery in san francisco, are installed outside of the museum.  their adjacency to the rodin sculpture garden at the cantor arts center at stanford university, which is located next door, is equally outstanding.

one city (london).

four art exhibitions (cézanne | modigliani | soutine | basquiat).

during our december weekend in london, my husband, bob, and i made it to three out of four.

 

modigliani @ the tate modern

amadeo modgliani (1884-1920) | self portrait as pierrot | 1915 | statens museum fur kunst | copenhagen, denmark

modigliani | tate modern | london, united kingdom | 23 november 2017-2 april 2018

photo credit smk

 

modigliani

portraits and nudes.

elongated faces.

swan-like necks.

almond shaped eyes.

portraits of his patron (paul alexandre).

portraits of his art dealers (paul guillaume and leopold zbrowski).

portraits of his contemporaries.  (picasso, gris, brancusi, soutine…).

self portraits.

portraits of the working class.

multiple portraits of the same subject.

 

‘it [my portrait] does not look like me, but it does look like modigliani, which is better.’

-jean cocteau (1889-1963)

amadeo modgliani (1884-1920) | jean cocteau, 1916 | the henry and rose pearlman foundation (on long-term loan to the princeton university art museum)

modigliani | tate modern | london, united kingdom | 23 november 2017-2 april 2018

photo credit bruce m. white | via the princeton university art museum

 

 soutine @ the courtauld gallery

chaïm soutine (1893-1943) | self portrait | circa 1918 | the henry and rose pearlman foundation (on long-term loan to the princeton university art museum)

photo credit © 2014 Artists Rights Society (ARS), New York/ADAGP, Paris | photo: bruce m. white | via the princeton university art museum

 

soutine

landscapes, still lives, and portraits.

painted in series.

turbulent (after van gogh).

gestural (before pollack).

distorted (before bacon).

 

his patron:  albert barnes (the barnes foundation | merion, PA USA)

his art dealers:  paul guillaume and leopold zbrowski (the same as modigliani)

his portraits:  self portraits and portraits of the working class

 

chaïm soutine (1893-1943) | the valet | circa 1927 | the lewis collection

soutine’s portraits: cooks, waiters & bellboys | the courtauld gallery | london, united kingdom | 19 october 2017-21 january 2018

photo credit the courtauld gallery | via the telegraph

 

basquiat @ the barbican art gallery

jean-michel basquiat (1960-1988) | dos cabezas | 1982 | private collection

basquiat: boom for real | barbican art gallery | london, united kingdom | 21 september 2017-28 january 2018

photo credit (c) the estate of jean-michel basquiat | licensed by artestar, new york | via christie’s

 

basquiat

graffiti.

neo expressionist.

image + text + social commentary.

stream of consciousness.

repetition.

crown icon.

self portraits (in different guises).

 

inspiration:  art history | history | literature | media (film/television) | music (jazz/hip hop/rap) | sports

influences:  da vinci | picasso | cy twombly | charlie parker

collaborators:  keith haring | francesco clemente | andy warhol

 

jean-michel basquiat (1960-1988) | self-portrait | 1984 | private collection

basquiat: boom for real | barbican art gallery | london, united kingdom | 21 september 2017-28 january 2018

photo credit (c) the estate of jean-michel basquiat | licensed by artstar, new york | via the standard

 

surprisingly (or not), more similarities than differences.

___________________________________________________________________________________________________________________

cézanne portraits | national portrait gallery | london, united kingdom | 26 october 2017-11 february 2018

modigliani | tate modern | london, united kingdom | 23 november 2017-2 april 2018

soutine’s portraits: cooks, waiters & bellboys | the courtauld gallery | london, united kingcom | 19 october 2017-21 january 2018

basquiat: boom for real | barbican art gallery | london, united kingdom | 21 september 2017-28 january 2018

on the street.  pietrasanta, italy

via mazzini | pietrasanta, italy

via garibaldi | pietrasanta, italy

la strada degli ombrelli volante (the road of the flying umbrellas)

a street art exhibition and charity event, supporting the pietrasanta volunteer consul

for a minimum donation of five euros, supporters could purchase an inscription on the handle of an umbrella

 

on the street.  milan, italy.

via fiori chiari | milan, italy

elle italia | 30 anni di moda (30 years of fashion) | 1987-2017

a street art exhibition and party to celebrate the 30th anniversary of elle italia magazine during milan fashion week, 20-25 september 2017

 

on the street.  oakland, ca.

9th street | old town | oakland, ca

a street art exhibition

photo credits lisa walsh | innerspace

 

one time is a surprise.  two times is a coincidence.  three times is a trend.