tag archives: london

the san francisco design district is changing.  the san francisco design center (sfdc) is consolidating.  jackson square is diversifying.  contemporary design showrooms and clothing retailers are opening.  while, some antiques dealers or art galleries are consolidating, relocating, or closing.  sacramento street is evolving as a leading design destination.

on 1 march 2017, de gournay opened their gorgeous new showroom on sacramento street.  when i lived in london, i loved visiting the de gournay showroom in old church street en route to my favorite fulham road antiques dealers.  so, i am delighted to welcome de gournay to san francisco.

de gournay is best known for their hand-painted chinoiserie wallpaper.  their artisans are artists.  so, de gournay wallpaper could be considered a work of art.

de gournay | amazonia wallpaper | on blue painted xuan paper

de gournay showroom | 3691A sacramento street | san francisco, CA

photo credits lisa walsh | innerspace and brad knipstein via de gournay

de gournay | wisteria wallpaper | on mica metallic xuan paper

photo credits lisa walsh | innerspace and georgetti spa via de gournay

de gournay | plum blossom wallpaper | on tarnished silver gilded paper

photo credits lisa walsh | innerspace and marie-caroline lucat via de gournay

de gournay | a thousand li of rivers and mountains wallpaper | on bleached white dyed silk

photo credits lisa walsh | innerspace and de gournay

one of my prospective interior design clients hopes to create a ‘more elegant’ home.  so, as part of the initial consultation process, we’re beginning to define what ‘elegant’ means to them.

would you describe de gournay wallpaper as elegant?

are you a garden person?

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best show garden | the telegraph garden | designed by andy sturgeon | 2016 chelsea flower show

photo credits jonathan brady/pa | irish times, rhs, and the telegraph

or, a plant person?

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diamond jubilee award | great pavilion | ashwood nurseries | 2016 chelsea flower show

photo credits ashwood nurseries, ashwood nurseries, and michael perry | plantgeek

financial times newspaper columnist, robin lane fox, thinks that even though the show gardens receive more press coverage, the real chelsea flower show occurs in the plant pavilions.

have you ever noticed that people are mesmerized by movement?

alexander calder: performing sculpture, an exhibition at the tate modern museum in london from 11 november 2015 – 3 april 2016, could be described as mesmerizing.  it’s the largest calder exhibition ever shown in great britain, with eleven galleries displaying approximately 100 works.

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alexander calder: performing sculpture | tate modern museum | london, united kingdom | 11 november 2015 – 3 april 2016

saint paul’s cathedral and the millenium bridge in the background

photo credit lisa walsh | innerspace

american sculptor, alexander calder (1898-1976), may be best known for transforming sculpture into a kinetic art form.

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alexander calder (1898-1976) | antennae with red and blue dots | hanging mobile | aluminum and steel wire | circa 1953

collection of the tate modern museum | london, united kingdom

photo credit (c) 2015 calder foundation, new york / DACS, london via BBC

his kinetic sculptures could also be described as performance art.

at the beginning of his career, calder gained fame, received introductions, and made friends through cirque calder, the miniature mechanical circus that he created and performed in paris and new york from 1926-1931.

calder’s friends included artists joan miró (1893-1983) and fernand léger (1881-1955), as well as composer edgard varèse (1883-1965).  my husband, bob, and i were captivated by calder’s three dimensional wire caricatures of them.

‘i think best in wire.’  -alexander calder

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alexander calder (1898-1976) | joan miró | wire | circa 1930

on loan from a private collection

photo credit courtesy of the calder foundation via the new centrist

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alexander calder (1898-1976) | varése | wire | 1930

on loan from the whitney museum of american art | new york, NY

photo credit (c) calder foundation via the whitney

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alexander calder (1898-1976) | fernand léger | wire | 1930

on loan from a private collection

photo credit (c) calder foundation, new york / DACS, london via the arts desk

at the tate modern, the installation and the illumination capture the shadows cast by the suspended sculptures.

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room 3 | alexander calder: performing sculpture | tate modern museum | london, united kingdom | 11 november 2015 – 3 april 2016

photo credit joe humphrys, tate photography / courtesy: calder foundation, new york / DACS, london via wallpaper

calder began creating abstract sculptures, most commonly made from wire and sheet metal, following a visit to the paris studio of dutch painter piet mondrian (1872-1944) in 1930.  he began suspending his abstract sculptures, and using airflow or touch, instead of mechanics or motorization, to generate movement.  another one of his friends, artist marcel duchamp (1887-1968), called calder’s suspensions mobiles, a pun on the french words for movement and motive.

like other viewers, bob and i were magnetized by the movement of the mobiles.

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room 9 | alexander calder: performing sculpture | tate modern museum | london, united kingdom | 11 november 2015 – 3 april 2016

photo credit joe humphrys, tate photography / courtesy: calder foundation, new york / DACS, london via wallpaper

some mobiles move silently.

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alexander calder (1898-1976) | snow flurry I | hanging mobile | painted steel sheet and steel wire | 1948

on loan from the collection of the museum of modern art | new york, NY

photo credit (c) 2016 calder foundation, new york / artists rights society (ARS), new york via MOMA

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alexander calder (1898-1976) | gamma | hanging mobile | painted sheet metal and steel wire | 1947

on loan from the collection of jon a. shirley | seattle, WA

photo credit calder foundation, new york / DACS, london via wsj

while, the movement of other mobiles creates sound.

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alexander calder (1898-1976) | triple gong | hanging mobile | brass, sheet metal, wire and paint | circa 1948

on loan from the collection of the calder foundation | new york, NY

photo credit calder foundation, new york / art resource, new york / ARS, new york / DACS, london via wsj

does silence somehow seem more eloquent?

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alexander calder (1898-1976) | black widow | hanging mobile | wire and painted metal | circa 1948

on loan from the institute of architects of brazil | säo paulo, brazil

photo credit joe humphrys, tate photography / courtesy: calder foundation, new york / DACS, london via wallpaper

our visit to london conveniently coincided with the post war and contemporary art auctions, which prominently featured works by alexander calder.

the auction previews provided an opportunity to view calder’s hanging and standing mobiles more closely.

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alexander calder (1898-1976) | untitled | hanging mobile | painted sheet metal and wire | 1967

sold for £962,500 (US$ $1,396,588) | lot 2 | sale 11795 | post war and contemporary art evening auction | 11 february 2016 | christie’s king street | london, united kingdom

photo credit lisa walsh | innerspace

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alexander calder (1898-1976) | crag with yellow boomerang and red eggplant | standing mobile | painted sheet metal and wire | 1974

sold for £1,874,500 (US$ 2719,900) | lot 3 | sale 11795 | post war and contemporary art evening auction | 11 february 2016 | christie’s king street | london, united kingdom

photo credit lisa walsh | innerspace

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alexander calder (1898-1976) | the black mountain | oil on canvas | 1945

sold for £602,500 (US$ 874,228) | lot 1 | sale 11795 | post war and contemporary art evening auction | 11 february 2016 | christie’s king street | london, united kingdom

photo credit lisa walsh | innerspace

you could say that calder performed rather well…

spring has already sprung in europe.

when we visited london during the second week of february, the daffodils were already beginning to bloom in the parks.  in london, spring doesn’t really begin on 21 march.  it begins when the daffodils in regent’s park, hyde park, st. james’s park, and green park bloom.

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daffodils | green park | london, united kingdom | february 2016

wellington arch and hyde park corner in the background

photo credits lisa walsh | innerspace

san francisco is such a beautiful, and easy place to live.  even so, my husband, bob, and i really miss the museum quality auction previews that we enjoyed while living in london.

so to us, christie’s @ hedge seems like a little bit of london in san francisco.

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joe bradley | tres hombres | oil, crayon, spraypaint and collage on canvas | 2011

post-war and contemporary art evening sale | christie’s new york | 10 november 2015

photo credits lisa walsh | innerspace

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willem de kooning (1904-1997) | figures in a landscape #2 | oil on paper laid on canvas | 1976

post-war and contemporary art evening sale | christie’s new york | 10 november 2015

photo credits lisa walsh | innerspace

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brice nauman | untitled (hand group) | phosphorous bronze | 1997

post-war and contemporary art evening sale | christie’s new york | 10 november 2015

photo credit lisa walsh | innerspace

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stuart davis (1892-1964) | autumn landscape | oil on canvas | 1940

post-war and contemporary art evening sale | christie’s new york | 10 november 2015

photo credits lisa walsh | innerspace

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robert motherwell (1915-1991) | california window | acrylic on canvas | 1975

post-war and contemporary art evening sale | christie’s new york | 10 november 2015

photo credit lisa walsh | innerspace

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arnaldo pomodoro | sfera | bronze with lucite base | 1966

post-war and contemporary art evening sale | christie’s new york | 10 november 2015

photo credits lisa walsh | innerspace

christie’s @ hedge

1-5 october 2015 | hedge gallery | san francisco

highlights from the post-war and contemporary art evening sale | christie’s new york | 10 november 2015