tag archives: abstract expressionism

 

the most significant collection of works by richard diebenkorn (1922-1993) ever sold at auction.

 

masterpieces by richard diebenkorn

property sold to benefit the donald and barbara zucker family foundation

christie’s | new york | post-war & contemporary art evening sale & morning session | 17-18 may 2018

 

a career spanning collection of 22 paintings and works on paper.

the home of donald and barbara zucker

photo credit (c) richard diebenkorn foundation via christie’s 17 may 2018 post-war and contemporary art evening sale catalogue, p. 156

 

ocean park | paintings and works on paper

healdsburg, CA (1988-1993)

santa monica, CA  (1966-1987)

sold for US$23,937,500

the world record auction price for a painting by richard diebenkorn (1922-1993)

richard diebenkorn (1922-1993) | ocean park #126 | oil on canvas | 1984

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 26b

photo credit lisa walsh | innerspace

sold for US$3,972,500

the world record auction price for a work on paper by richard diebenkorn (1922-1993)

richard diebenkorn (1922-1993) | untitled | acrylic, crayon, graphite and pasted paper on joined paper | 1991

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 28b

photo credit lisa walsh | innerspace

sold for US$3,852,500

richard diebenkorn (1922-1993) | untitled | gouache, acrylic and crayon on paper | 1984

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 23b

photo credit lisa walsh | innerspace

sold for US$1,092,500

richard diebenkorn (1922-1993) | untitled | gouache, charcoal and pasted paper on joined paper | 1986

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 31b

photo credit lisa walsh | innerspace

sold for US$696,500

richard diebenkorn (1922-1993) | untitled | gouache, wax crayon and graphite on paper | 1985-1987

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 619

photo credit lisa walsh | innerspace

sold for US$588,500

richard diebenkorn (1922-1993) | untitled | gouache, acrylic, charcoal, graphite and pastel on paper | 1984-1992

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 624

photo credit lisa walsh | innerspace

sold for US$432,500

richard diebenkorn (1922-1993) | untitled | acrylic and charcoal on two joined sheets of paper | 1973

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 626

photo credit lisa walsh | innerspace

sold for US$372,500

richard diebenkorn (1922-1993) | untitled | acrylic, gouache and charcoal on paper | 1981

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 625

photo credit lisa walsh | innerspace

sold for US$336,500

richard diebenkorn (1922-1993) | untitled | watercolor, wax crayon and graphite on paper | 1988-1992

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 619

photo credit lisa walsh | innerspace

 

also sold at sotheby’s:

property from an important new york collection

sold for US$10,953,500

richard diebenkorn (1922 – 1993) | ocean park #55 | oil and charcoal on canvas | 1972

sotheby’s | new york | contemporary art evening auction | 16 may 2018 | sale n09858 | lot 18
photo credit lisa walsh | innerspace

 

representational | paintings and works on paper

landscapes | still lifes | figures

berkeley, CA (1955-1966)

sold for US$5,262,500

richard diebenkorn (1922-1993) | cityscape #3 | oil on canvas | 1963

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 30b

photo credit lisa walsh | innerspace

sold for US$852,500

richard diebenkorn (1922-1993) | table and folding chair | oil on canvas | 1962

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 27b

photo credit lisa walsh | innerspace

sold for US$106,250

richard diebenkorn (1922-1993) | untitled | ink, graphite and charcoal on paper | 1964

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 627

photo credit lisa walsh | innerspace

sold for US$1,152,500

richard diebenkorn (1922-1993) | nude—elbow on knee | oil on canvas | 1961

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 24b

photo credit lisa walsh | innerspace

sold for US$432,500

richard diebenkorn (1922-1993) | untitled | oil on canvas | circa 1957-1962

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 29b

photo credit lisa walsh | innerspace

sold for US$250,000

richard diebenkorn (1922-1993) | portrait of n.s. | oil on canvas | 1957

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 621

photo credit lisa walsh | innerspace

sold for US$87,500

richard diebenkorn (1922-1993) | untitled | watercolor and gouache on paper | 1961

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 622

photo credit lisa walsh | innerspace

sold for US$137.500

richard diebenkorn (1922-1993) | untitled | ink and charcoal on paper | 1967

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 623

photo credit lisa walsh | innerspace

 

also sold at christie’s:

property of late owners

sold for US$4,692,500

richard diebenkorn (1922-1993) | untitled | oil on canvas | circa 1963-1964

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 41b
photo credit lisa walsh | innerspace

property from a distinguished new york collector

sold for US$100,000

richard diebenkorn (1922-1993) | untitled | ink and conté crayon on paper | 1962

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 704
photo credit lisa walsh | innerspace

 

abstract expressionist | paintings and works on paper

berkeley, CA (1953-1955)

urbana, IL (1952-1953)

albuquerque, NM (1950-1952)

sausalito, CA (1947-1949)

sold for US$1,032,500

richard diebenkorn (1922-1993) | berkeley #25 | oil on canvas | 1954

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 25b

photo credit lisa walsh | innerspace

sold for US$20,000

richard diebenkorn (1922-1993) | untitled (berkeley) | ink and gouache on paper | 1955

christie’s | new york | post-war and contemporary art morning session | 18 may 2018 | sale 15969 | lot 628

photo credit lisa walsh | innerspace

sold for US$552,500

richard diebenkorn (1922-1993) | sausalito | oil on canvas | 1949

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 32b

photo credit lisa walsh | innerspace

 

have you ever dreamt of living with a US$46,000,000 salon-style art installation?

the home of donald and barbara zucker

photo credit (c) richard diebenkorn foundation via christie’s 17 may 2018 post-war and contemporary art evening sale catalogue, p. 157

 

sold for US$432,500

richard diebenkorn (1922-1993) | untitled | gouache on paper | circa 1953-1955

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 21b

photo credit lisa walsh | innerspace

sold for US$468,500

richard diebenkorn (1922-1993) | untitled | gouache and charcoal on paper | circa 1957-1966

christie’s | new york | post-war and contemporary art evening sale | 17 may 2018 | sale 15968 | lot 22b

photo credit lisa walsh | innerspace

manuel neri:  assertion of the figure

anderson collection at stanford university | palo alto, CA

14 september 2017-12 february 2018

an art exhibition that includes eleven sculptures, reliefs, and works on paper by (san francisco) bay area figurative sculptor manuel neri.  recently gifted to the anderson collection (art museum) at stanford university by the manuel neri trust.

top to bottom:

manuel neri | standing figure I | pigment on plaster | 1974 | courtesy of hackett | mill and the manuel neri trust, san francisco, CA

manuel neri | standing figure II | pigment on plaster | 1982

 

isn’t the juxtaposition of the manuel neri sculptures with figurative, abstract, and abstract expressionist paintings by richard deibenkorn (another member of the bay area figurative art movement) and joan mitchell outstanding?

top (left to right):

richard deibenkorn (1922-1993) | girl on the beach | oil on canvas | 1957

manuel neri | untitled female figure | plaster and pigment | 1958 | courtesy of hackett | mill and the manuel neri trust, san francisco, CA

manuel neri | untitled male figure | plaster and pigment | 1958 | courtesy of hackett | mill and the manuel neri trust, san francisco, CA

richard deibenkorn (1922-1993) | ocean park #60 | oil on canvas | 1973

bottom (left to right):

joan mitchell | before, again IV | oil on canvas | 1985

manuel neri | untitled female figure | plaster and pigment | 1958 | courtesy of hackett | mill and the manuel neri trust, san francisco, CA

manuel neri | untitled male figure | plaster and pigment | 1958 | courtesy of hackett | mill and the manuel neri trust, san francisco, CA

photo credits lisa walsh | innerspace

 

during the exhibition, seven additional sculptures by manuel neri, which are on temporary loan to the anderson collection from hackett | mill art gallery in san francisco, are installed outside of the museum.  their adjacency to the rodin sculpture garden at the cantor arts center at stanford university, which is located next door, is equally outstanding.

i recently returned from the most extraordinary trip to new york.  the primary purpose was to help a client select some artwork for their residential interior design project.

exceedingly successful.  and, exceptionally inspiring.

i spent most of the time that i wasn’t working gallery and museum hopping.  joan mitchell, john chamberlain, and sol lewitt in chelsea.  sean scully on the upper east side.  the breathtaking zao wou-ki abstract expressionist painting exhibition at asia society.  and at the whitney, the brilliant carmen herrera modernist painting exhibition.

i hope that you enjoy scrolling through the following posts as much as carmen herrera is enjoying having her first retrospective museum exhibition at the age of 101!

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joan mitchell:  drawing into painting

cheim & read | new york, NY

27 october-23 december 2016

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photo credits cheim & read

unfortunately, my trip to new york preceded the opening of joan mitchell:  drawing into painting.  fortunately, one of the gallery directors at cheim & read kindly presented a preview of available pastel on paper drawings for my client’s consideration.  which one do you prefer?

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joan mitchell ( 1925-1992) | untitled | pastel on paper | circa 1980-1990

photo credit cheim & read

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joan mitchell (1925-1992) | untitled | pastel on paper | 1991

photo credit cheim & read

no limits:  zao wou-ki

asia society | new york, ny

9 september 2016-8 january 2017

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zao wou-ki (1921-2013) | homage to chu yun—05.05.55 | oil on canvas | 1955 | private collection, switzerland

© zao wou-ki prolitteris, zurich | photo credit dennis bouchard via art summary

1967

zao wou-ki (1921-2013) | 09.07.67 | oil on canvas | 1967 | private collection, taiwan

© zao wou-ki/prolitteris, zurich | photo via asia society

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zao wou-ki (1921-2013) | 05.03.65—for my brother wu-wai | oil on canvas | 1965 | chao 2000 trust

© zao wou-ki prolitteris, zurich | photo credit michelle geoga via asia society

1976

zao wou-ki (1921-2013) | 13.01.76 | oil on canvas | 1976 | private collection, taiwan

© zao wou-ki/prolitteris, zurich | photo via asia society

before we visited the fundació joan miró during our recent trip to barcelona, spain, i would have described joan miró (1893-1983) as a surrealist artist.  although he was influenced by and influenced fauvist, cubist, surrealist, abstract expressionist, and color field artists, his work really shouldn’t be attributed to one art movement.

‘i have no interest whatsoever in any school or any artist. 

i am only interested in the anonymous,

in the result of the unconscious effort of the masses.’

-joan miró (1893-1983)

instead, miró developed his own visual language.

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joan miró (1893-1983) | morning star | from the constellation series | gouache, oil and pastel on paper | 1940

the 23 works from miró’s constellation series (1940-1941), which were exhibited in new york in 1945, influenced american post-war art

‘to me, conquering freedom means conquering simplicity. 

at the very limit,

then, one line, one color can make a painting.’

-joan miró (1893-1983)

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joan miró (1893-1983) | painting on a white background for the cell of a recluse I, II, III | acrylic on canvas | 1968

photo credits lisa walsh | innerspace

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joan miró (1893-1983) | the hope of a condemned man I, II, III | acrylic on canvas | 1974

photo credits lisa walsh | innerspace

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joan miró (1893-1983) | rejected model for the mosaic of pla de l’os | ink, crayon, and etching on paper | 1976

joan miró (1893-1983) | mosaic of pla de l’os | la rambla | barcelona, spain | 1976

photo credits lisa walsh | innerspace

miró spoke not only of painting, but also of anti-painting, which challenged artistic concepts and conventions by deconstructing the process and the painting.

‘i want to assasinate painting.’

-joan miró (1927)

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joan miró (1893-1983) | burnt canvas 5 | acrylic on canvas, later torn and burnt | 1973

photo credits lisa walsh | innerspace

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joan miró (1893-1983) | burnt canvas 5 and burnt canvas 4 | acrylic on canvas, later torn and burnt | 1973

joan miró:  the ladder of escape | tate modern museum | london, united kingdom | 14 april-11 septermber 2011

photo credit andrew dunkley/tate photography via the guardian

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joan miró (1893-1983) | may | acrylic and oil on canvas | 1973

photo credits lisa walsh | innerspace

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joan miró (1893-1983) | fireworks I, II, III | acrylic on canvas | 1974

photo credits lisa walsh | innerspace

do you prefer miró’s work inspired by abstract expressionism?

or, miró’s work that inspired abstract expressionism?